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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Captain W Kinghorne

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Mirka Mora

It's a Mora!

Magazine article by Tedi Bills, 2016

Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.  

Bed piece, 1972 by Chris Burden

The boy, the bed and the gun

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman contemplates the provocative performance art of Chris Burden. 

William, Randwick

Miscellaneous obsessions

Magazine article by William Yang, 2022

William Yang shares the stories behind his autobiographical self portraits that celebrate his cultural heritage and identity.

Self Portrait with sun damage, 2014 by Andrew Sayers.

At easel

Magazine article by Tim Bonyhady, 2016

Tim Bonyhady recalls his experience as sitter for his close friend and former National Portrait Gallery Director, the late Andrew Sayers.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Axe Me Biggie

Axe Me Biggie

Magazine article by Stephen Dupont, 2008

Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.

Installing David Walsh

On the road again

Magazine article by Dr Deborah Hill, 2017

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

Quong Tart, 1880s

Finest quality

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.

Girl Reading a Letter at an Open Window, 1657–58 Johannes Vermeer

Basking in light

Magazine article by Pieter Roelofs, 2023

Pieter Roelofs, Head of Painting and Sculpture at Rijksmuseum and co-curator of Vermeer, delves into the largest-ever exhibition of the master artist.

Caroline Pileggi

Ready , set... shoot

Magazine article by Christine Clark, 2006

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

Kinky Night. Impressions Club, 1987

Aussies all

Magazine article by Simon Elliott, 2006

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Portrait of George Selth Coppin

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency